This article with comments was terrific - it was so informative. I found the advice useful. It addressed specifics like the condition of the dry wall surfaces, any additional repairs such. pin holes, chalking, smoothing of wall surfaces, absorption of paint and number of coats that may be needed. It should also include insurance coverage, and reflect the clean-up afterwards. Having a written contract with the company's letterhead is a must.
As you walk through your lighted rooms (preferably day light) see if the new coat has light spots showing the precious paint. This is call "bleeding through". This means that there's only one coat of paint or the paint was diluted or the trasition of colors were from light to dark (or the other way around) and primer was not use or the painter is inexperienced.
If you are going to hire a contractor (professional painter) give a room by room punch list of the fixing of holes small or big, have it identified for the painter to tell you if you need a drywall finisher or if he does this type of work good. Wall repairs can be 3-5 steps to do repairs ( one per day for good drying of patching material and a good sanding) this is what gives you a good paint job only using high quality paint.
I'm an architect and my firm routinely specifies interior finishes for projects so I thought I'd contribute a professional's perspective on the issue of how many coats of paint are deemed "acceptable". The fact of the matter is the average consumer usually isn't a paint expert and can't be expected to know about all the factors that impact coverage. That knowledge is considered "means and methods" and in a court of law, the responsibility lies with the painter or general contractor, not the consumer. What the consumer should be concerned about is the final result-does it look good and is it what you expected? The simplest way to communicate this to your painter is to stipule in your written agreement that the number of coats will be "as required to cover". That way all the guess work about what kind of primer, how many coats, how color affects the scope of work, etc., is removed from the consumer's responsibility and resides where it belongs-with the professional. In the contract that's why retention is always a good idea-typically 10% is withheld from payment until the job is completed to the satisfaction of the customer. Of course in return you as the customer have to be reasonable about what constitutes a completed job. Just my $.02.
You want to convert a wall to dry erase board, coat it in clear or change the color of the wall. If you want it to match your filing cabinets and cubicles we can coat your wall with metallic colors.No longer do you have to have a WHITE dry erase board. You can now have it clear or colors for any surface. You can coat any chalkboard with clear and turn it into a dry erase board. It is now your choice for your décor. See our dry erase painting video here.
IF the average cost is $1700 to paint an interior, then that means the cost of paint is approx. $200 (12% of the job). Or better said 5 gallons of paint (if the average cost is $40 retail). The average room takes 1.5 gallons which will cover 3 average rooms. Doesn't sound to average to anyone with knowledge of this industry or a average house. You are misleading consumers and should do a better job in your research. No wonder so pay people think prices to get work done by professionals is high. Its not high, its actually average which is more like $3700.
For starters, a smart Atlanta homeowner should always start out by collecting bids from multiple contractors (we recommend at least three) before settling on a specific home painter in Atlanta to paint their home. Why? First of all, it's just good business. Comparing estimates allows you to weed out bids that are too high and too low, encourages competition between contractors so that you get the best price possible, and it allows you to compare portfolios, references, and personal impressions. Even if you choose to use a contractor referral service like HomeAdvisor.com, who pre-screens contractors and provides customer rankings for your convenience, it's still smart shopping to cast a wide net when it comes to finding a painter in the ATL.
The article was well-intended, but it makes it sound like painters are the crooks and consumers are innocent victims. That is blatantly un-true. Maybe there should be a follow-up article that educates consumers how not to be shysters by expecting a ton more than they said at the start, or not paying the balance of the job unless something else is done that was not in the contract. Tradesmen have a rough road when dealing with consumers that have short arms but long lists of by-the-way items. No, I'm not a painter...
The article and comments were great information to have before deciding how to go about getting a painting job done. I think the important point is that there are several key choices (who to do the work; color, sheen, quality, of paint; how many coats; amount of prep/repairs to be done and by whom, how long the job will take, provisions for changes, how detailed the contract needs to be; advanced deposit/progress payments/final payment; final inspection, etc.) that need to be made and it requires advanced research and planning in order to become well enough informed to make the right choices. Then it requires spending sufficient time to check materials and inspect the quality of the work while it is on-going, raher than waiting to do it all at the end. President Reagan's philosophy of "Trust, but verify." applies.
Climate is another factor to consider. Sunlight, wind, rain and salty weather can all wear out exterior paint. Oil-based paint is durable against wind, rain and temperature changes, but sunlight tends to degrade it. Alkyd paint chalks and sheds very thin layers when it begins to wear. Latex paint is the more durable option for very sun-drenched and relatively dry climate areas. Latex paint with high vinyl content should be avoided, however. Acrylic resin is by far the more durable binder for outdoor latex paint.
You can check the status of your application online, and when approved download your certificate and customized lead program logo. To access this service goto EPA's E-Enterprise portal, sign-in using your CDX username and password, choose “allow” access, then scroll to the bottom of the page where you’ll see your information in the “progress tracker” section.
The speed with which a painter can complete the job will determine its final cost, but time is difficult to estimate. Some painters have more experience and cover a wall faster, but some are more methodical and take more time. Most painters should be able to cover about 100 to 120 square feet of flat surface in an hour, unless they are working on a very large wall. Wood or plaster might reduce that amount to 80 to 100 square feet. You should also consider the time required for a first coat to dry before a second coat may be applied. This will add time as well -- anywhere from one to 48 hours depending on the paint.
I've seen this done many years ago by a guy who did all sorts of jobs where I lived. My dad caught him painting his boss's roof and he was watering down the paint. We've had a hard time trying to get a painter for our house. We've had a guy that had been remmended by a neighbor and he hasn't showed up to paint for 2 weeks. I want to call him and my husband says no. I'm 69 years old and I'm about ready to go and paint our 2 porches, I've painted all my life and all the inside of our home. Maybe that's the way it should be with everyone that can paint pretty good.
This was very helpful. I wonder if i would really follow through and check to see if my painter was cheating me. I used a painter I found on Angie's List. This was 5 years ago. He did a great job. I know he did patching only for about a day and a half. We decided on the kind of paint before he started. that is what he used. I don't know if I could stay on top of him and watch him open every can of paint.
PSA: Color psychology is a thing. The right soothing hue can work wonders for your mind and soul. You might think that only works for pale blues, but the contrast of a light and dark color — or, in this case, off-white walls with chocolate brown and deep blue accents — has a powerful effect. "The darker color grounds the room, and then the lighter runs right up to the ceiling and makes it feel higher. It creates this serene atmosphere," designer Laura Bohn told us.
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As a full service industrial & commercial painting contractor servicing the Los Angeles, Orange, San Diego and Riverside counties, our expertise in commercial & industrial painting is wide ranging and our commitment to safety, environmental and industry standards is second to none. Wilson & Hampton Painting Contractors can handle elaborate painting projects with finesse like Disneyâ€™s California Adventure Resort, Angel Stadium's 'Big A', the Los Angeles Grand Hotel, UCI Medical Center, and churches across the nation, as well as industrial and municipal painting projects like water towers, hospitals and schools.
Red House Painters were an American rock band, formed in San Francisco, California in 1988. They were one of the most prominent acts associated with the slowcore/sadcore subgenre. Fronted by primary songwriter Mark Kozelek (vocals, guitar), the band also included drummer Anthony Koutsos and bass guitarist Jerry Vessel. Guitarists Gorden Mack and Phil Carney both performed with the band during separate six-year tenures.
Freshly painted walls often look blotchy. The color is uniform, but the sheen isn’t consistent. This usually occurs over the holes and cracks you patched with a filler or drywall compound. The porous fillers absorb the paint, dulling the surface (a problem called “flashing”). When light hits these dull spots, they stick out like a sore thumb. The smooth patch also stands out in contrast to the slightly bumpy texture of the rest of the wall. A quick coat of primer is all it takes to eliminate ﬂashing and texture differences.
Based in the United Kingdom, Ian Linton has been a professional writer since 1990. His articles on marketing, technology and distance running have appeared in magazines such as “Marketing” and “Runner's World.” Linton has also authored more than 20 published books and is a copywriter for global companies. He holds a Bachelor of Arts in history and economics from Bristol University.
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